Letting the Light In

Letting the Light In

close up of crack with light shining through itFull disclosure: I’ve tried to write this column for weeks. Thoughts and notes spill across my journal pages; drafts of documents sit on my laptop. Prayer and vigil candles are spent. Life feels heavy. Sometimes overwhelming. The state of our world and our country is revealing the dark, shadowy side beneath our comfortable façade. And cracks in that façade are everywhere.

Leonard Cohen’s lyric from Anthem comes to mind: “There is a crack, a crack in everything, that’s how the light gets in.” True enough. But cracks can also make things fall apart – as some must do – before they are put back together or something new is made. In the process, it’s often the cracks we see, not the light.

You may find that true today. The world struggles to find responses to climate change and the will to implement them. The the pandemic brings not only sickness and death, but economic crisis, causing millions to struggle to survive. It challenges the world’s “normal” which, really, hasn’t been working all that well.

Our country, fractured by political turmoil, division, and fumbled responses to COVID-19, must also recognize the racism that is staring in our collective face. The video of George Floyd’s murder by policemen was a tipping point, coming closely on the heels of other senseless murders of African Americans. Protests erupted across the U.S. and the world and continue today. They must. They make us look. They reveal cracks that have crazed our nation even before it was born.

“What can I do?” I ask myself. I don’t have answers; I have questions. It’s time for white people to look deeply at their own stories and those of their ancestors and recognize how they have benefited from systemic racism for generations. We can educate ourselves. Reading and discussing the book Waking Up White: And Finding Myself in the Story of Race by Debby Irving, is jarring as our group listens to the long history of racism and slavery in our country from the beginning, hearing how early it was codified into our laws.

Truth illuminates the cracks. It’s the light that gets in. And once it does, we have a choice. The line before Cohen’s famous one quoted above is this: “Ring the bells that still can ring. Forget your perfect offering.” Our efforts will not be perfect, but they must be made.

close up of stenciled words on sidewalk "Black Lives Matter"Words stenciled on sidewalk, "You Can Do Hard Things"

We all must do the hard work of hearing the truth and making changes in our lives and in the laws and practices of this country. On a walk in my neighborhood I noticed two messages painted on the sidewalk: “Black Lives Matter” and “You can do hard things.”

These unprecedented times demand we recognize the truth of both. There is much in our world and in our nation that requires doing hard things for the good of all.

This year, July 4 presents an opportunity to reflect on our country, to consider its history through an inclusive lens, and to work for its future. When I pondered the Roman Catholic Lectionary readings for this holiday, the one from Philippians spoke to my heart:

Finally brothers and sisters, whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is gracious, if there is any excellence and if there is anything worthy of praise, think about these things…

It is hopeful. It reminded me to look for what is good in the world, in one another, in our dreams and values. To focus on justice and truth. To hold tight to them. To look for the light coming in through the cracks.

But that wasn’t all. The reading continued:

Keep on doing what you have learned and received and heard and seen in me.

What have we seen in Jesus? Love. He was all love. Love of God. Love of neighbor. He stood with the poor and marginalized. He challenged those who abused power and were greedy, concerned only with their own comfort and well-being. He told the Good Samaritan story: everyone is our neighbor; we must take care of one another. He never saw anyone as “other.” Everyone belonged. In the end, he was murdered by a world that couldn’t accept such radical, inclusive love.

This reading calls us to hope and also to act, like Jesus, keeping our hearts set on what is good and just. On Love. To use our hands and feet and minds and talents to bring more of it into this world. And, as the reading ends, Then the God of peace will be with you.

©2020 Mary van Balen

 

Deeds Come First

Deeds Come First

Peter Claver, a 16th century Spaniard, was canonized by the Roman Catholic church as a saint in 1888, but he is not well-known. He was born in 1581 and entered the Jesuits there in 1601. In 1610 he went to the missions in America, landing in Cartagena, a port city in what is now Columbia, that was a major stop for slave ships. He was ordained in 1616 and spent his life serving the 10,000 enslaved Africans who arrived every year.

Claver considered himself a slave to the slaves and began ministering to them from the time the ships docked. He made his way into the hold, encountering people who had survived the most horrid conditions imaginable. (About one-third of them didn’t.)

The image I have of Peter Claver is one of a man moving among the people, providing food and water, medicine and care as he treated their physical wounds. “Deeds come first, then the words,” is a quote attributed to him. His life bears that out. It was attention to basic human needs that came first. Only later, using translators and sometimes pictures, would he try to communicate with the Africans some ideas of Christianity and God’s love for them.

Through his deeds and words, Claver treated people with respect, honoring the dignity due every human being. No exceptions. That’s the lesson of his life that stays with me today.

While 400 years have passed since the first slave ship arrived on our shores, the repercussions of slavery remain. Racism is deeply embedded in our country and continues to deny this most basic right to our African American sisters and brothers, challenging us to respond.

Dehumanizing people, marginalizing them is all too easy. The list of “reasons” is long: People look “different,” speak another language, embrace a faith different from our own. Fear of difference, threats to one’s way of life, ignorance—These are on the list, too.

Painting by Laurie VanBalen, Project Director and Producer of Columbus Crossing Borders Project

As I thought of Peter Claver’s instinctive action to first alleviate human suffering, the plight of refugees at our Southern border came to mind. They come mostly from Central and South America, fleeing unspeakable violence, poverty, and fear for their lives. How are they met?

I spoke with Sister Barbara Kane, a member of the Dominican Sisters of Peace in Columbus, Ohio. She and others in her community have traveled to El Paso to serve as they could.

She spoke of refugees’ long waits in enclosed areas (some liken them to cages) until they have their Credible Fear Hearing (when the refugee states what has driven them to seek asylum.)

“The enclosures have concrete floors, are kept at 60 degrees, and are so small people are packed together, unable to lie down to sleep,” Sr. Barbara said. People receive little food. Yet, despite the great needs, no one is allowed inside to help.

After the Credible Fear Hearing, people are sent back to Mexican cities to wait again until their sponsors can be reached, and background checks run. The cities are not equipped to house so many refugees whose stay can last for weeks or months.

Once sponsors are contacted and cleared, the asylum seekers come back to the U.S and are placed in hospitality houses. The Annunciation House is where Sr. Barbara served.

“That’s where volunteers finally meet the refugees and offer help. We provide a hot shower, clean clothes, food, and a bed to sleep in,” Sr. Barbara said. Eventually, volunteers drive the refugees to the airport or bus terminals as they begin the journey to their sponsors. With fewer people making it through to this point, volunteers may have time to listen to the refugees’ stories.

“I came away convinced that the vast majority of these parents just want their children to be safe and secure and to have a future,” Sr. Barbara added. “They’re not gaming the system. They’re not bad people. They’re good, loving parents.”

If you, like me, are unable to go to the border to help in person, there are a variety of ways to support those who do. A quick Google search will provide many options. Sr. Barbara offers these suggestions for donations:

  • Donate directly to the Annunciation House at their website: annunciationhouse.org/contact, or send a check to 1003 E. San Antonio Ave., El Paso TX 79901-2620.
  • The Diocese of El Paso ministry, Diocesan Migrants and Refugee Services, Inc. accepts online donation: dmrs-ep.org; or mail a check to DMRS, 2400 Yandell Dr. El Paso TX, 79903.

© 2019 Mary van Balen

International Day of Prayer and Awareness Against Human Trafficking

International Day of Prayer and Awareness Against Human Trafficking

Today, February 8, is the International Day of Prayer and Awareness Against Human Trafficking. Begun in 2015 by Pope Francis, it reminds us of the scourge that affects millions of people worldwide. What is it? U.S. law defines human trafficking as the use of force, fraud, or coercion to compel a person into commercial sex acts or labor or services against his or her will. The one exception involves minors and commercial sex. Inducing a minor into commercial sex is considered human trafficking regardless of the presence of force, fraud or coercion.

The Numbers

According to the United Nations Office on Drugs and Crime’s Global Report on Trafficking in Persons – 2018 on January 7, 2019, the number of reported victims has steadily increased over the past four years.

Here are some numbers from the 2017 report from the International Labor Organization (ILO) and Walk Free Foundation:

  • An estimated 24.9 million victims are trapped in modern-day slavery. Of these, 16 million (64%) were exploited for labor, 4.8 million (19%) were sexually exploited, and 4.1 million (17%) were exploited in state-imposed forced labor.
  • 71% of trafficking victims around the world are women and girls and 29% are men and boys.
  • 15.4 million victims (75%) are aged 18 or older, with the number of children under the age of 18 estimated at 5.5 million (25%).
  • Human trafficking does not always involve travel to the destination of exploitation: 2.2 million (14%) of victims of forced labor moved either internally or internationally, while 3.5 million (74%) of victims of sexual exploitation were living outside their country of residence.

Big Business

Human Trafficking is a $150 billion a year enterprise. The 2014 IOL report breaks down the profits like this:

  • $ 99 billion from commercial sexual exploitation
  • $43 billion in forced labor
  • $8 billion saved annually by private households employing domestic workers under conditions of forced labor

What you can do

PHOTO: Mary van Balen

Stopping Human Trafficking will take combined action of individuals and organizations. Raising awareness of the problem is one. Another is to learn how to identify signs of human trafficking and if you suspect it, contact the Human Trafficking Hotline or local law enforcement. Let your Senators and Representatives know you are concerned about it.

Support local efforts. For example, I had coffee and did some work at a local, non-profit coffee house, The Roosevelt Coffeehouse, that is committed to social justice. One of the three causes that receive their profits is ending human trafficking. (see image).

The U.S. Department of State has a list of 15 things ordinary people can do to make a difference.

 

Websites for further information:

Join Us for a Retreat: Journeys of Compassion

Join Us for a Retreat: Journeys of Compassion

By Richard Duarte Brown

In these times when divisiveness and fear of the “other” is on the rise, nurturing our sense of compassion is increasingly important. It isn’t easy, though. Blame. Anger. Shutting people out. These responses may rise more quickly than a compassionate one.

Join me and international retreat presenter, Rick Hatem, for a retreat, Journeys of  Compassion: A Response to Life’s Challenges and Opportunities, on Friday, June 29 from 7-9pm and Saturday, June 30, from 9am-4pm at the Martin de Porres Center, 2330 Airport Drive, Columbus, OH 43219.

Saturday’s retreat will complement the Friday evening reflections, but both sessions are complete in themselves.

  • Friday – Begins with quiet prayer and then using art and story, Rick and Mary will invite you to reflect on the “others” in our lives and in the world and how we can open our hearts to meet them.
  • Saturday – In addition to presentations and discussion, will include time for individual reflection and small-group sharing. There will also be an opportunity to hear about each other’s experience in the larger group. Optional: half-hour quiet prayer after lunch before the afternoon session.To register contact Rick: rickhatem@gmail.com Mary: maryvanbalen@gmail.com Pre-payment by check or credit card – All types of payment accepted at the retreat – Some scholarships available

 

Rick Hatem

Rick Hatem moved to Jerusalem in 1986 to work for peace with Palestinians and Israelis, engaging in dialogue with Jews, Muslims & Christians. His long involvement with l’Arche* began when he heard its founder, Jean Vanier, speak in Bethlehem in 1987. Rick joined the Bethlehem community, and when it closed in 1991, he returned to the U.S. and continued working with l’Arche in New York, Canada, and as a regional leader in the U.S., as well as by serving as a member of la Ferme Spirituality Center for three years in Trosly, France. Rick has worked as a spiritual director with the Henri Nouwen Society, the Spirituality Network, and other groups. He has led retreats in North America and Europe.

 

Mary van BalenMary van Balen is the author of four books, numerous articles, and has written the column “Grace in the Moment” for over 31 years. She holds an MA in Theology and was a resident scholar at the Collegeville Institute for Ecumenical & Cultural Research. Mary conducts retreats on topics including journaling and spirituality. She is a spiritual director, having completed the Spiritual Guidance Program at the Shalem Institute. Also an educator, Mary has worked as a classroom teacher, an enrichment consultant, and an adjunct instructor of theology. She has worked with abused women and single mothers in a federally funded poverty program for family literacy.

* L’Arche is French for “the ark.” In 1964 a Canadian, Jean Vanier, began a home called l’Arche in northern France. He welcomed two men with developmental disabilities to create home with him in the spirit of the beatitudes. Since then l’Arche has grown into an international federation of 150 communities in 40 countries. L’Arche continues to create community with men and women with developmental disabilities and those who live and work with them. L’Arche is ecumenical, shaped and guided by the major Christian denominations. Internationally l’Arche is multi-faith. There are 18 l’Arche communities in the U.S. including one in Cleveland, Ohio. The last 10 years of Henri Nouwen’s life were in l’Arche near Toronto.

 

Lost Lent, Found Easter

Lost Lent, Found Easter

Burned trees look like a cross

Photo: Mary van Balen

This year’s Lent was not one of my best. Disciplines, a bit vague from the beginning, fell away early. Life simply “happened” as usual. I did write my columns, always a spiritual discipline I tell myself, and prepared for a presentation on compassion. But other resolves seemed to dissolve, swallowed up by illness, cataract surgery, and well, just life.

I don’t go to Holy Thursday mass anymore (always my favorite) because incense doesn’t agree with my lungs. Friday, after working in the morning and getting work completed on my car and feeling a bit guilty about my “lost Lent,” I decided to take an evening walk and pray with my steps.

The almost blue moon was brilliant in a clear sky. I cleared my mind and simply walked, mindful of the Presence which enveloped me and everyone else on our struggling planet. Trying not to think too much, just to be open, I found myself at the door of a local Catholic church. Lights were on. Lots of cars in the parking lot. I decided to go in.

I’m not sure where everyone was. Two women sat quietly in the front pews, one on each side of the center aisle. That was it. I sat in the back. The altar, usually draped with white or liturgically correct colored cloths was stripped bare. The tabernacle, which in Catholic churches usually contains consecrated hosts from previously celebrated Mass, stood empty, doors ajar. At the bottom of the steps leading to the altar was a crucifix flanked by two tall beeswax candles, flames steady.

As I focused on the crucifix, I became aware of how white the figure of Jesus was, white with auburn hair. I don’t know why, but it just struck me. I looked at the paintings that cover much of overhang above the chancel. White men. White Madonna. White child Jesus.

Hawkins Last Supper #6

Last Supper #6 by William L. Hawkins
Exhibit: William L. Hawkins: an Imaginative Geography
Columbus Museum of Art
Photo: Mary van Balen

Suddenly I remembered the art exhibit I had seen at the Columbus Museum of Art (CMOA) a couple of weeks ago: William L. Hawkins: An Imaginative Geography. Hawkins was a self-taught artist born in Kentucky in 1895. He moved to Columbus when he was 21 and remained there for the rest of his life. His paintings are described in a CMOA description of the exhibit as “intense, playful, wondrous, quirky, and flamboyant.” What came to mind as I sat in church on Good Friday were the paintings in his Last Supper series. Eight of the nine he created are hanging in the exhibit

 

 

 

William L. Hawkins painting Last Supper #9

Last Supper #9 by William L. Hawkins
Photo: Mary van Balen

Thought to have been inspired by a painting on velvet that Hawkins had recovered from a trash bin, in which Jesus and his disciples were portrayed as Black men, Hawkins offers a vision of the Last Supper that is at once unique and universal. Unique in that the images are like none other I’ve seen depicting this iconic scene. They definitely don’t show thirteen white men gathered around the table.

The signage at CMOA stated that “…perhaps the greatest achievement of the Last Suppers is how, through his manipulation of paint and found mass media images, Hawkins took a story central to the Christian religion that had been whitewashed in the Western imagination and broadened it to include an almost universal cast.”

Detail from William L. Hawkins painting Last Supper #9

Detail from Last Supper # 9 by William L. Hawkins
Photo: Mary van Balen

Almost anyone seeing these paintings could identify with someone in them. They include men and women of many races. When collage was used, even the food on the table seems familiar. The pictures cut from newspapers or magazines, are of plates filled with ordinary dishes you might order at a restaurant or make at home. Everyone could find a place at this table. Of course, you’d have to be comfortable with diversity to enjoy the meal.

As I left the quiet of the church, the images of Hawkins Last Suppers came too. Along with the almost blue moon, the candles, the pleasant night air, the turmoil of our times, the candle flames, and the white Jesus on the cross, they had slipped into an opening in my heart and kept me company on the walk home.

Today, Easter, I celebrated with a diverse group of people packing the OSU Newman Center. My lost Lent was not an issue. No one there was wondering about how anyone had observed Lent. I don’t think God was interested either but was simply glad we had shown up at the table.

The amazing thing is that no matter how we got there, we all found our way to be together, to share faith, and as the presiding priest reminded us in his homily, to give thanks for the unimaginable love of a God who is crazy in love with all of us. To give thanks for Jesus’ willingness to remain faithful to who he had come to know himself to be…God’s own Love in the world, even when it led to the cross. And to believe that as we share in Jesus life and death, we also share in his love and resurrection.

Happy Easter!

© 2018 Mary van Balen

Howard Thurman: Black Theologian, Mystic, and Mentor

Howard Thurman: Black Theologian, Mystic, and Mentor

Cover of book "Jesus and the Disinherited" by Howard ThurmanThe reading from Mark’s gospel about the Gentile woman’s request for Jesus to heal her daughter possessed by a demon is one of my favorites. Jesus had slipped away from the crowds, but the woman found him and threw herself at his feet, asking for help. When Jesus answered that the children must be fed first (a reference to the Jews) and that it would not be right to throw their food to the dogs, she was undeterred. Her faith was more expansive than that, and she told Jesus so. “Even the dogs under the table eat the children’s scraps.”

It seems her words hit home. Perhaps her faith helped Jesus understand the inclusivity of God’s loving mercy and of Jesus’ own mission. He sent her on her way with the assurance that her daughter was healed.

This reading is especially appropriate these days when the sense of entitlement, privilege, and exclusivity seems to be on the rise, or at the least, more visible. When discrimination against people based on the color of their skin, their ethnicity, beliefs, or just being who they are becomes acceptable, we must respond.

February is Black History month, and it’s appropriate to celebrate people who have seen injustice and taken action. I would like to write about Howard Thurman. I first learned of him years ago from a friend studying at Andover-Newton Theological School. More recently, I took advantage of the “Howard Thurman Retreat Day” offered online by the Shalem Institute. (You can access this retreat if you’d like by visiting https://shalem.org).

His name remains unfamiliar despite his wide influence as a contemplative, mystic, theologian, pastor, and professor. There are many ways to respond to oppression, and though not in the forefront of marches and demonstrations, Thurman was influential in the Civil Rights movement and served as a spiritual mentor to many involved, including Dr. Martin Luther King, Jr.

Howard Thurman was born in 1899 and grew up in Daytona Beach, Florida. His grandmother, Nancy Ambrose, a former slave, helped raise him. She shared the deep faith that had helped her survive enslavement, instilling in him a profound sense of identity as a child of God.

Thurman graduated valedictorian from Morehouse college. He studied at Rochester Theological Seminary and upon graduation was ordained a minister. His first pastorate was at Mt. Zion Baptist Church in Oberlin, Ohio. There he met Quaker pacifist and mystic Rufus Jones, a professor at Oberlin with whom he would later study.

Thurman taught at Morehouse and Spelman Colleges and was a professor and Dean of Rankin Chapel at Howard University.

In 1935, along with his wife, Sue Bailey Thurman, and other African Americans, Thurman was invited to join the six-month “Pilgrimage of Friendship” to India, Ceylon, and Burma. Prior to that trip, he and Mahatma Gandhi had corresponded and shortly before returning home, they met. Gandhi was curious about the aftermath of slavery and the conditions of Black people in the United States. They talked about non-violence and civil disobedience, and the importance of maintaining spiritual vitality in order to preserve in their practice.

In 1944, Thurman and Dr. Alfred Fisk founded the Church for the Fellowship All Peoples in San Francisco, California. The first intentional interracial, interfaith congregation in the country, it continues its mission today.

Thurman published numerous books, his most famous being Jesus and the Disinherited that looks at Jesus as a member of a minority class and sees in his life and teachings a guide for marginalized people responding to their oppression. This book greatly influenced Martin Luther King, Jr. who carried it with him whenever he marched.

Later in his career, Thurman became a professor and first African American Dean of Marsh Chapel at Boston University. Martin Luther King, Jr. was earning his PhD in theology at Boston University at that time and attended Thurman’s sermons. Thurman became his spiritual mentor and shared the wisdom and conversations he had had with Gandhi about nonviolent protest.

Thurman’s understandings of the dehumanizing effects of oppression, the effect of hate and anger on those who allow them into their hearts, the necessity of gathering strength by spiritual practice, and non-violence have much to say to us today.

A number of books about him have been published. You can read his own works, and Boston University’s Listening room has an extensive library of recordings of Thurman’s sermons, talks, and lectures. Listen here: http://hgar-srv3.bu.edu/web/howard-thurman/virtual-listening-room

© 2018 Mary van Balen

Celebrating Alabama

Celebrating Alabama

This morning I stopped at my favorite local stop for tea, quiche and scones—The Cambridge Tea House—for quiche and an order of bacon.

“I’m celebrating Alabama,” I said. The cashier smiled. I’m sure I’m not the only one.

Home, I read the paper’s headline story and enjoyed my breakfast while perusing The Washington Post’s
Preliminary exit poll results: How different groups voted in Alabama.”  It’s worth a look. And before I hurry off to work, I have to say “Thank you,” to the Black Alabamian voters for overwhelmingly casting their ballots for Doug Jones. The number of women who voted for Moore baffle me. Well, to be honest, anyone who voted for Moore baffle me at some level.

Still, it’s a victory to savor. The former U.S. attorney who successfully prosecuted two of the Ku Klux Klansmen who bombed the small church in Birmingham in 1963 bested the outspoken, bigoted Roy Moore. After work, I’ll take a closer look at the Washington Post’s informative infographics. For now, I’m walking with a little spring in my step.

“Breathe Free”: Columbus Crossing  Borders Project Documentary

“Breathe Free”: Columbus Crossing Borders Project Documentary

Poster with information on he Columbus Crossing Borders Project's documentary opening at The Drexel Theater in Bexley, Ohio, August 10, 2017. The poster shows an artist working on a painting for the project

On Thursday, August 10, 2017, the Columbus Crossing Borders Project documentary, BreatheFree, premiered to a sold out audience at The Drexel theater in Bexley, Ohio. In order to accommodate those unable to attend the first show, a second screening was scheduled for later that same evening.

Breathe Free features the stories of five refugees as well as the creative processes of some of the 34 artists participating in this project.

According to Laurie Van Balen, project director and producer, The Columbus Crossing Borders Project was created in response to the alarming levels of anti-immigration sentiment and racism being stirred throughout our country. The project consists of 34 painters and a film crew employing art as a means to instigate critical thinking and compassion for the millions of refugees in our world.

The Columbus Dispatch published an article about the documentary and exhibit in the Weekender section of the August 10, 2017 edition of the newspaper.

Next showing and exhibit

Breathe Free will be shown at The Drexel Theater again on August 31 at 8:30pm in conjunction with the reception—5-7:30pm—at the exhibit of the 34 paintings on display at that time at the Schumacher Gallery at Capital University. The exhibit opens there on August 28 and runs through Sept. 1.

Both the exhibit and the documentary will continue to be shown in locations around Ohio and other venues around the country. To learn more about the Columbus Crossing Borders Project and future dates to view it, visit the CCBP website.  You can see a trailer for video here.

Paintings and artist statements

Oil painting, "Waiting" by Mark Gingerich, which shows a mother and two children, refugees waiting for a place to go

“Waiting” by Mark Gingerich oil on canvas 20″ x 24″

Waiting

​”When I came across the image of a Muslim refugee family waiting to be received by a host country, I was struck with the sense of helplessness conveyed. It is a powerful image that I believe captures the spirit of the plight of the refugees. Thus, with the permission of Irish photographer Andrew McConnell, I have painted “Waiting.”   Mark Gingerich

 

Gaye Reissland

 

Painting by Gaye Reissland of diverse group of poeple with hands held high forming a heart shape with their fingers while approaching the Statue of Liberty.

Gaye Reissland acrylic on canvas 26″ x 12″

My painting is putting the world on notice that the poem “The Great Colossus” inscribed at the base of The Statue of Liberty still stands true in the hearts and minds of the majority of Americans! We are a nation filled with immigrants and their descendants. The vast majority of us want to welcome our brothers and sisters whether they are refugees or have a dream that includes the potential prosperity our great nation. Our nation stands great because of its diversity and willingness to open its doors to those ‘huddled masses yearning to breathe free.’  Gaye Reissland

 

Virginia Carvour

Painting of a refugee woman holding a small child

Virginia Carvour acrylic on canvas 16 x 20

Devastation

noun

1. great destruction or damage

2. severe and overwhelming shock or grief

 Empathy

noun

  1. the ability to understand and share the feelings of another

 Refugee

noun

  1. a person who flees for refuge or safety, especially to a foreign country, as in time of political upheaval or war, etc.

Virginia Carvour

Connecting through the Columbus Crossing Borders Project

Connecting through the Columbus Crossing Borders Project

Project Director of the Columbus Crossing Borders Project speaking to audience

PHOTO: Mary van Balen

People gathered at the Martin de Porres Center last Sunday to see the traveling art exhibit, Columbus Crossing Borders Project, and to hear Project Director/Producer, Laurie Van Balen, share its vision and mission.

She spoke of the refugee crises around the world and in our country and the need to welcome the “other” into our spaces: our country, cities, neighborhoods, and home.

Before and after her presentation, people viewed the exhibit of 34 paintings by Ohio artists whose work draws the viewer into some aspect of the reality of the refugees’ journeys, hardships, and successes.

a mother and daughter viewing an art exhibit

PHOTO: Mary van Balen

People took their time, reading the artists statements that were posted below the paintings. Pointing out how some element of each painting crossed over into the space of the painting to its right—crossing borders and creating a powerful visual testimony to the love, strength, and resilience that sustain those who must flee their countries and build a new home in a strange land.

“I had to move away from the group of people looking at the painting with me,” one woman confided. Her eyes were filled with tears. “I was afraid they’d ask me something, and, well, I just couldn’t speak. It’s overwhelming.” She paused for a moment and then said, “How could anyone think these wonderful people have nothing to offer to us, to our country? How many gifts they bring!”

Conversations like this or the longer ones among artists, refugees, immigrants, and others gathered around the tables or standing in clusters in the room, are one of the most important result of this amazing exhibit. It opens hearts. It opens doors. People share and get to know one another. Like the title of this project suggest, they cross their own borders and leave enriched and changed in some way. Come, and experience it for yourself.

the logo for the Columbus Crossing Borders Project shows silhouettes of immigrants, men, women, and children, against a blue clouded sky.

The Columbus Crossing Borders Project is currently being exhibited at:  the Martin de Porres Center, 2330 Airport Drive, Columbus, Ohio through June 30.

Next exhibit: Schumacher Gallery at Capital Univeristy, 2199 E Main St, Columbus OH from August 28 – September 2 with a reception on August 31.

For more information visit the Columbus Crossing Borders Project website

Columbus Crossing Borders Project

Columbus Crossing Borders Project

the logo for the Columbus Crossing Borders Project shows silhouettes of immigrants, men, women, and children, against a blue clouded sky. The Columbus Crossing Borders Project was begun by Columbus area artist, Laurie Van Balen, in response to the alarming spread of anti-immigrant sentiment that is sweeping the country. Visit the website to learn more about the artists, traveling art exhibit, and documentary film that is the result of 34 artists, refugees willing to share their stories,  a film crew, and many volunteers.

You can watch parts of the video made by Doug Swift,  meet some of the artists, see their work, and hear some of the refugees’ stories. This project aims to inspire compassion and encourage critical thinking when considering the plight of refugees in our country.

Columbus Crossing Borders Project is working with the Community Immigration and Refugee Services (CRIS) in Columbus.

Currently in production, the traveling art exhibit will open on May 21, at the Cultural Arts Center in Columbus. You are welcome to attend the opening reception:

“As we seek to inspire compassion and support for the 65 million people in our world who are fleeing war, terror, persecution and hardship, The Columbus Crossing Borders Project warmly invites you to attend the initial public presentation of our traveling art exhibit and documentary film.

Sunday, May 21  2 – 6pm    Cultural Arts Center  |  139 W Main St, Columbus, Ohio 43215

This event is being presented with support from the​ Greater Columbus Arts Council.”

I hope to see you there!