Doing What We Have Learned

Doing What We Have Learned

Abstract painting of people of all colors embracing

Painting by Richard Duarte Brown

Originally published in The Catholic Times  Oct. 8, 2017

Perhaps it’s because I’m weary of the divisive speech that is becoming more commonplace in our country and of the racism and ignorance of the “other” that undergird it. Maybe it’s hearing hateful comments, seeing intolerance, and recognizing that choices are being made to stoke fear and anger rather that to encourage true listening and dialogue. It’s these things and more that make me read and reread Paul’s words this Sunday, healing, like balm on an open sore:

Finally, brothers and sisters, whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is gracious, if there is any excellence and if there is anything worthy of praise, think about these things. (Philippians 4, 8)

A friend at work gave me a flyer about a unity celebration being held at a local Episcopal church that Sunday evening. I’m glad I went. It was something gracious and lovely that reminded me of the many good people who, in ways large and small, are being love in the world.

A woman opened the celebration with a drum call to gather everyone, including the ancestors. I thought of my parents. Of people who have gone before, working for civil rights. I thought of the communion of saints.

The rector welcomed us and read “Blessing When the World is Ending” by Jan Richardson. It finishes on a hopeful note:

This blessing/will not fix you,/will not mend you,/ will not give you/false comfort;/it will not talk to you/about one door opening/when another one closes./ It will simply/sit beside you/among the shards/and gently turn your face/toward the direction/from which the light/will come,/gathering itself/about you/as the world begins/again.

A young Syrian refugee, 13 when she arrived speaking no English, 17 now, shared her powerful poetry. A woman pastor reminded us that while we look different on the outside, we are the same on the inside and pointed out the fact that human beings are made with two ears and one tongue, perhaps indicating we should listen more and talk less.

PHOTO: Mary van Balen

Two young women in flowing white dresses gracefully danced their prayer to the One we can’t live without, expressing with their movements the prayer in my heart. An Imam spoke of Islam and respect for all prophets. We listened and learned.

A folksinger led us in “We shall not be moved,” a song loosely based on verses from Jerimiah about one who is like a tree firmly planted by the water surviving drought and yielding fruit. A young girl called out that we should sing for peace. And we did.

A Jewish rabbi considered that we have many names the for same Holy One. She spoke of the prophets of old and wondered about today’s prophets. About being prophets and being bold.

A soloist shook the rafters and sang about God breathing on us, and I felt the Spirit-breath.

A community organizer pulled wisdom from each presentation and put them into questions for us to ponder.

Afterwards, we shared food, listened to stories, and wondered why all churches don’t have evenings like this.

Paul’s final words in that verse from Philippians—Keep on doing what you have learned and received and heard and seen in me. Then the God of peace will be with you—prompted me to consider that what we learn from Paul, he learned from Jesus. What have I learned and heard and seen in Jesus that transforms me?

painting: The Good van Gogh Samaritan, by Vincent

The Good Samaritan by Vincent van Gogh

In the gospels, I have learned that love, not power, is important. That one’s life doesn’t consist of possessions. That everyone is my neighbor, and I must take care of them. I have seen Jesus heal the sick, feed the hungry, hang out with those on the margins, and eat with outcasts. He was welcoming, patient, and merciful. He was a man of prayer. On his last night on earth he prayed “…that they may be one as we are one—I in them and you in me…” I watched Jesus wash his disciples’ feet and instruct them to do the same. He spoke truth to power, faithfully lived that truth, and was murdered for it.

I heard him say that whatever we do to the least among us, we do to him. And when it came right down to it, when someone asked him what was most important, he had two things to say: Love God. Love your neighbor as yourself.

These are the things we need to keep on doing, each of us bringing the God of peace who dwells in us into our times and places. Through all people of peace, God transforms the world.

© 2017 Mary van Balen

A Confluence of Events

A Confluence of Events

Originally published in the Catholic Times September 10, 2017

Sometimes disparate events come together, touching a common place in my heart. Only after reflection and usually some writing, do I understand their connection and what they are saying.

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White supremacists clash with police (36421659232)

By Evan Nesterak

Protests and violence in Charlottesville, Virginia, and the responses that followed uncovered what we’d rather avoid. Racism, anti-Semitism, and white supremacy raised their ugly heads reminding us that, no matter what we thought or what we want to believe, anger and hatred based on race, ethnicity, and fear of the “other” remain a blight on our country’s soul.

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Pencil drawing of Blessed Fredric Ozanam

Blessed Fredric Ozanam

Perusing this week’s liturgical calendar, I discovered Blessed Fredric Ozanam (1813-1853). He moved to Paris at 18 to study at the Sorbonne. Conditions were wretched for the poor and working class. As a result of its old and public alliances with the aristocracy, the Catholic Church was attacked by intellectuals as oppressive and harmful. Ozanam had a different view. The Church was more than its hierarchy. It was all, clerics and lay alike, and he understood service to the poor as central to the call to discipleship. Actions must accompany words. He organized debates and argued that the Catholic Church had brought much good to the world.

There is a story that during one of these debates, when challenged to show what the Church was doing to help the poor and suffering in Paris, he had no answer. A few days later, Ozanam gathered a small group of Catholic students and together they began what would become the Society of St. Vincent de Paul. They were helped by Sister Rosalie Rendu who served the destitute in the Mouffetard area of Paris and insisted that the young students visit them in their homes and learn what was truly needed.

painintg of Saint Peter Claver surrounded by African slaves

Saint Peter Claver

I read about St. Peter Claver (1581-1654), a Spanish Jesuit who found his life’s work in Cartagena, a hub of slave trade, in what is now Columbia. When slave ships arrived, he managed to get into the hold and minister to them with food, water, and medicine.

“Deeds come first, then words,” he said.

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NASA photograph of the total solar eclipse taken at Oregon State Fairgrounds by Dominic Hart

PHOTO: NASA

I joined two daughters, a friend, and other family to experience the eclipse in Columbia, South Carolina. We gathered with others in a school’s athletic field. The mood was festive and people moved in and out of the green space to observe the moon sliding in front of the sun. But, with fifteen minutes to go, they found a spot, put on eclipse glasses, and didn’t move.

When totality arrived, glasses came off. People clapped, shouted, cried, or stood in awed silence as the black disk of the moon covered the sun, revealing its brilliant corona. For those two minutes and thirty seconds, we were one people, small creatures on a single planet in the vast universe.

Of course, it didn’t last. Totality passed. Eventually people picked up their chairs and coolers and walked home or to their cars. The one family became tribes again.

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Photo of poet Nikki Giovanni

Nikki Giovanni

Krista Tippett’s On Being podcast featured an interview with poet Nikki Giovanni. Tippett describes her as a “revolutionary poet in the Black Arts Movement that nourished civil rights.” Now in her seventies, Giovanni is joyfully alive, a professor at Virginia Tech, and still writing.

“…race was a bad idea 200 years ago, 300 years ago. It’s a ridiculous idea today,” she said in the interview. “Hatred was a bad idea, and it’s a ridiculous idea today. We’re on the third planet from the yellow sun. We have got to come together to see—and how to make sense out of this…How do we find a way to make the best of us?”

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How indeed. How to root out hate and anger? How to stand with the marginalized and oppressed? How to bring Love into this time?

Ozanam, Rendu, and Claver saw what is often forgotten: Every person is a child of God deserving respect and love. They responded to physical needs as well as spiritual ones; actions accompany words. We are called to do the same, recognizing all are God’s people—Black, White, Latino, Indigenous people, refugees, LGBT, Jews, Muslims, prisoners, the poor. All one family on this planet. No exceptions. As Giovanni said, there is no place to go but forward. We do what we can. We love. We speak the truth we have been given. Bit by bit, we let go of what separates us and hold on to what binds us together. We listen. We pray. Like Mary, honored this week with the feast of The Nativity of Mary, we are called to birth Christ into the world.

© 2017 Mary van Balen

Solar Eclipse I: The Experience

Solar Eclipse I: The Experience

After a flight into Maryland and a 625-mile drive to Columbia, South Carolina, I was ready to experience the total solar eclipse on August 21 with two of my daughters, a friend, and extended family. A long trip that was more than worth every mile.

Predictions of thunderstorms at our intended viewing site initiated a quick change of plans. Instead of driving from our hotel in Murrells Inlet to nearby Georgetown, we went to Columbia and met with my niece and her family who were hoping for good weather there for the event.

PHOTO: Mary van Balen

By 12:45 pm we headed to a nearby middle school with a large, open athletic field, and set up our chairs under the shade of a covered walkway. Slowly more people arrived with chairs and pop-up canopies. Some brought picnic lunches and spread blankets under the few trees edging the field. Others tossed baseballs or threw Frisbees, or just sat and chatted.

When first contact occurred at 1:29, everyone stopped what they were doing, put on their eclipse glasses, and watched as the black moon began to slide over the sun. We moved in and out of the field for the next hour mesmerized by the beauty, marveling at the power of the sun that even as it was disappearing behind the moon, kept the air hot and the light bright.

sky during totality

PHOTO: Mary van Balen Darkening sky during the totality

Row of people sitting in chairs holding their eclipse glasses on and gazing at the sky

 

By 2:30, voices lowered, balls and frisbees were forgotten. The temperature had dropped and the sky was darkening.

People moved into the field. Standing or sitting, you could feel the crowd holding it’s breath.

Excitement built as the sliver of sun became thinner, thinner, and suddenly my glasses went black. I pulled them off and saw the sun’s corona blazing out behind the black moon.

NASA photograph of the total solar eclipse taken at Oregon State Fairgrounds by Dominic Hart

PHOTO: NASA taken by Dominic Hart at the Oregon State Fairgrounds August 21, 2017

People applauded, shouted, gasped, laughed, and cried. Some stood in awed silence before the magnificent sight. I did them all and hugged my daughters, grateful to be sharing the moment with them. Words can’t communicate the experience. It was profoundly moving, stirring something  elemental deep within.

Together, the sun and moon, spoke truth: Remember, you are part of something beyond anything you can imagine; you are creatures on a tiny planet in the vast universe.

For two minutes and thirty seconds we were one people, standing together, not in Columubia, not in the United States, but on earth. Boundaries and current national and worldwide issues lost their power to divide. For two minutes and thirty seconds.

Then it was over. Some lingered to watch the moon complete its transverse of the sun. Eventually, people carried their chairs and coolers  back to their cars and left.

Driving long hours back to our hotel, we shared our thoughts. Words continued to fall short, though we tried: amazing, awesome, unbelievable, overwhelming, beautiful, unforgettable, stunning….

In moments of silence, I wondered if the powerful event would change some who experienced it? Will we remember and embrace an expanded vision of who we are and how we live? Of this planet and the people we share it with? Of the Mystery who is the Source of all?

 

Icons: Windows into God

Icons: Windows into God

Photo of Thai stamps showing image of Guan Yin

Photo: Mary van Balen

In Icons: Windows into God, the lead article in the October 2017 issue of Celebration published by the National Catholic Reporter, I expand the definition of “icon” to include objects, physical representations, or metaphors that have become windows drawing us into communion with the Holy Mystery. From impressionistic masterpieces in the Musée d’Orsay, to the Asian bodhisattva Guan Yin, to the constellations, the world full of images that enrich and enlarge our experience of God who is beyond all images.

The medieval theologian and mystic Meister Eckhart said that no one could ever have found God. No, The Divine gave the Godself  away.

There is no place or time where God is not. Holy Mystery does not hide. But to see, we must pay attention—and look  through all the “windows” we can.

Click the link below to read the article:

Icons: Windows into God Finding glimpses of God in unexpected places

“Breathe Free”: Columbus Crossing  Borders Project Documentary

“Breathe Free”: Columbus Crossing Borders Project Documentary

Poster with information on he Columbus Crossing Borders Project's documentary opening at The Drexel Theater in Bexley, Ohio, August 10, 2017. The poster shows an artist working on a painting for the project

On Thursday, August 10, 2017, the Columbus Crossing Borders Project documentary, BreatheFree, premiered to a sold out audience at The Drexel theater in Bexley, Ohio. In order to accommodate those unable to attend the first show, a second screening was scheduled for later that same evening.

Breathe Free features the stories of five refugees as well as the creative processes of some of the 34 artists participating in this project.

According to Laurie Van Balen, project director and producer, The Columbus Crossing Borders Project was created in response to the alarming levels of anti-immigration sentiment and racism being stirred throughout our country. The project consists of 34 painters and a film crew employing art as a means to instigate critical thinking and compassion for the millions of refugees in our world.

The Columbus Dispatch published an article about the documentary and exhibit in the Weekender section of the August 10, 2017 edition of the newspaper.

Next showing and exhibit

Breathe Free will be shown at The Drexel Theater again on August 31 at 8:30pm in conjunction with the reception—5-7:30pm—at the exhibit of the 34 paintings on display at that time at the Schumacher Gallery at Capital University. The exhibit opens there on August 28 and runs through Sept. 1.

Both the exhibit and the documentary will continue to be shown in locations around Ohio and other venues around the country. To learn more about the Columbus Crossing Borders Project and future dates to view it, visit the CCBP website.  You can see a trailer for video here.

Paintings and artist statements

Oil painting, "Waiting" by Mark Gingerich, which shows a mother and two children, refugees waiting for a place to go

“Waiting” by Mark Gingerich oil on canvas 20″ x 24″

Waiting

​”When I came across the image of a Muslim refugee family waiting to be received by a host country, I was struck with the sense of helplessness conveyed. It is a powerful image that I believe captures the spirit of the plight of the refugees. Thus, with the permission of Irish photographer Andrew McConnell, I have painted “Waiting.”   Mark Gingerich

 

Gaye Reissland

 

Painting by Gaye Reissland of diverse group of poeple with hands held high forming a heart shape with their fingers while approaching the Statue of Liberty.

Gaye Reissland acrylic on canvas 26″ x 12″

My painting is putting the world on notice that the poem “The Great Colossus” inscribed at the base of The Statue of Liberty still stands true in the hearts and minds of the majority of Americans! We are a nation filled with immigrants and their descendants. The vast majority of us want to welcome our brothers and sisters whether they are refugees or have a dream that includes the potential prosperity our great nation. Our nation stands great because of its diversity and willingness to open its doors to those ‘huddled masses yearning to breathe free.’  Gaye Reissland

 

Virginia Carvour

Painting of a refugee woman holding a small child

Virginia Carvour acrylic on canvas 16 x 20

Devastation

noun

1. great destruction or damage

2. severe and overwhelming shock or grief

 Empathy

noun

  1. the ability to understand and share the feelings of another

 Refugee

noun

  1. a person who flees for refuge or safety, especially to a foreign country, as in time of political upheaval or war, etc.

Virginia Carvour

Saint Bonifacia’s Ordinary Way

Saint Bonifacia’s Ordinary Way

a photo of Saint Bonifacia Rodriguez y Castro S.S.J.Originally published in The Catholic Times Aug. 13, 2017

This week’s liturgical calendar celebrates the lives of three women saints: St. Teresa Benedicta of the Cross (Edith Stein), St. Clare, and Saint Bonifacia Rodriguez y Castro. If you’re like me, you’re familiar with the first two. But who was the third, Saint Bonifacia?

Her memorial is listed as August 7, 8, or 9th, depending on where you look, but a little research provided an inspiring portrait of the woman. Bonifacia was born in 1837, the oldest of six children, to a poor couple in Salamanca, Spain. Her father was a tailor who worked in his shop at home. Bonifacia learned not only his craft, but she and her siblings also witnessed the deep faith of both parents, lived simply in their home and community.

Her father died when she was fifteen, and Bonifacia began working for others outside her home. Eventually, she set up a shop in the family home, making and selling cords, lace, and other trimmings to support herself and her mother. Inspired by the quiet life of Mary, Joseph, and Jesus, she saw her home and shop as a little Nazareth where work and prayer were intertwined. Along with her mother, Bonifacia made daily visits to a nearby Jesuit-run church.

Other young women, attracted to her and her way of life, began to gather at her home on Sunday’s and feast days, finding a safe place to gather and support one another with prayer and Scripture, listening and encouraging as women do. The house-shop became a safe haven for women to work and pray.

Though Bonifacia longed to become a Dominican, the Jesuit priest at her church, Francisco Javier Butiña y Hospital (her spiritual director), had another idea. His deep concern for the plight of post Industrial Revolution factory workers and respect for the path to holiness through ordinary work resonated with Bonifacia. He suggested that together they establish a congregation to protect the women workers and promote a spirituality that embraced manual work as a way to holiness, not an impediment. The congregation became known as the Servants of Saint Joseph.

This was a new form for a women’s congregation, and while supported by some and by the local bishop at the time of its foundation, it later met with resistance from those more comfortable with women in convents. Like many before her, she suffered for her vision and determination to remain faithful to it.

As Saint John Paul II said in his homily at her beatification, “It was a form of religious life too daring not to have opposition. Immediately it was attacked by the then traditional diocesan clergy of Salamanca who does not grasp the evangelical depth of this form of life which is very close to the world of work.”

While this column doesn’t provide space to tell all her story, I can emphasize the importance her life and vision have for us today. Despite Vatican II’s insistence that the call to holiness is given to everyone and is found in all walks of life, many church faithful, clergy and lay alike, still think the path to sanctity is somehow separate from ordinary life. Holiness is seen best pursued in convents, monasteries, or rectories. Or at least in occupations connected with church or overtly religious activities.

Bonifacia knew better. Through prayer and reflection, she recognized God’s call deep within and trusted it, remaining faithful when others opposed and mistreated her. It’s easy to doubt the word that God speaks in our hearts, the call that directs us to bring God into the world in a way uniquely given to each of us, right where we are.

Bonifacia also knew that we don’t walk the path to God alone. We walk together. As she said, “We should be all for all, following Jesus.”  But trusting God’s indwelling in the “other” is a challenge, especially if the “other” looks different than we do, speaks a different language, or has views different than our own. Despite its difficulty, this ordinary path transforms the world by our taking God’s Presence into it.

The world needs people committed to this simple way of prayer and bringing God we come to know within into the streets and workplaces. Not by heavy handed evangelizing and dogma, but by living with love and joy, responding to the needs of those we encounter. By truly listening to “others,” open to recognize and receive God who dwells in their hearts. And like Bonifacia, by having courage to speak our truth to power. To do something different in familiar places.

©2017 Mary van Balen

Connecting through the Columbus Crossing Borders Project

Connecting through the Columbus Crossing Borders Project

Project Director of the Columbus Crossing Borders Project speaking to audience

PHOTO: Mary van Balen

People gathered at the Martin de Porres Center last Sunday to see the traveling art exhibit, Columbus Crossing Borders Project, and to hear Project Director/Producer, Laurie Van Balen, share its vision and mission.

She spoke of the refugee crises around the world and in our country and the need to welcome the “other” into our spaces: our country, cities, neighborhoods, and home.

Before and after her presentation, people viewed the exhibit of 34 paintings by Ohio artists whose work draws the viewer into some aspect of the reality of the refugees’ journeys, hardships, and successes.

a mother and daughter viewing an art exhibit

PHOTO: Mary van Balen

People took their time, reading the artists statements that were posted below the paintings. Pointing out how some element of each painting crossed over into the space of the painting to its right—crossing borders and creating a powerful visual testimony to the love, strength, and resilience that sustain those who must flee their countries and build a new home in a strange land.

“I had to move away from the group of people looking at the painting with me,” one woman confided. Her eyes were filled with tears. “I was afraid they’d ask me something, and, well, I just couldn’t speak. It’s overwhelming.” She paused for a moment and then said, “How could anyone think these wonderful people have nothing to offer to us, to our country? How many gifts they bring!”

Conversations like this or the longer ones among artists, refugees, immigrants, and others gathered around the tables or standing in clusters in the room, are one of the most important result of this amazing exhibit. It opens hearts. It opens doors. People share and get to know one another. Like the title of this project suggest, they cross their own borders and leave enriched and changed in some way. Come, and experience it for yourself.

the logo for the Columbus Crossing Borders Project shows silhouettes of immigrants, men, women, and children, against a blue clouded sky.

The Columbus Crossing Borders Project is currently being exhibited at:  the Martin de Porres Center, 2330 Airport Drive, Columbus, Ohio through June 30.

Next exhibit: Schumacher Gallery at Capital Univeristy, 2199 E Main St, Columbus OH from August 28 – September 2 with a reception on August 31.

For more information visit the Columbus Crossing Borders Project website

Columbus Crossing Borders Project

Columbus Crossing Borders Project

the logo for the Columbus Crossing Borders Project shows silhouettes of immigrants, men, women, and children, against a blue clouded sky. The Columbus Crossing Borders Project was begun by Columbus area artist, Laurie Van Balen, in response to the alarming spread of anti-immigrant sentiment that is sweeping the country. Visit the website to learn more about the artists, traveling art exhibit, and documentary film that is the result of 34 artists, refugees willing to share their stories,  a film crew, and many volunteers.

You can watch parts of the video made by Doug Swift,  meet some of the artists, see their work, and hear some of the refugees’ stories. This project aims to inspire compassion and encourage critical thinking when considering the plight of refugees in our country.

Columbus Crossing Borders Project is working with the Community Immigration and Refugee Services (CRIS) in Columbus.

Currently in production, the traveling art exhibit will open on May 21, at the Cultural Arts Center in Columbus. You are welcome to attend the opening reception:

“As we seek to inspire compassion and support for the 65 million people in our world who are fleeing war, terror, persecution and hardship, The Columbus Crossing Borders Project warmly invites you to attend the initial public presentation of our traveling art exhibit and documentary film.

Sunday, May 21  2 – 6pm    Cultural Arts Center  |  139 W Main St, Columbus, Ohio 43215

This event is being presented with support from the​ Greater Columbus Arts Council.”

I hope to see you there!

We Walk Together

We Walk Together

The oil painting "Supper" by Joseph Hirsch shows twelve homeless men, shabbily dressed, sitting and eating at an lavishly set table.

“Supper” 1963-1964
Oil on canvas
Joseph Hirsch American 1910-1981
Columbus Museum of Art
Photo: Mary van Balen

Originally published in The Catholic Times, April 9, 2017

On Saturday, I had the unexpected pleasure of spending a few hours in the Columbus Museum of Art. My sister and I slowly moved from one gallery to another, savoring the opportunity to see the world and explore ideas through the eyes and souls of the artists. They “wake us up” to realities easily overlooked as we hurry through our day to day lives, or challenge us to see the world, others, and even ourselves from broadened perspectives.

A small white sign on the wall of a hallway between two larger exhibits proclaimed: “The Extra Ordinary.” It referred to displayed works made of old bricks, cardboard, and other common objects.

I took a closer look at the row of oil paintings of a water glass. The artist, Peter Dreher, had painted the same glass at different times of day and night for years. “What can change?” you might ask. Light. Reflected images. You’d be surprised what you discover by simply focusing on the lines and beauty of something that usually doesn’t get a second glance. Our lives are filled with opportunities to wonder at the creativity and grace evident in objects made by human hands or that are part of nature. “When was the last time you took a close look and really saw?” the artist seemed to be asking.

A room or two later, I stood in front of a painting by Joseph Hirsch titled “Supper.” Twelve men sitting around a long table, sharing food that included bread and wine immediately suggested the Last Supper. Images of Leonardo da Vinci’s mural of Jesus’ final meal with his apostles might spring to your mind, but this painting is different.

Instead of a white Jesus surrounded by men in flowing robes, twelve homeless men of various colors, unkempt and dressed in shabby jackets and coats, eat hungrily, drinking wine from goblets and lifting food to their mouths with silver forks.

No brightly colored clothing here. The men are dressed mostly in grays, blacks, and browns. The brightest things are on the table. A silver serving dish and coffee pot rest on a white table cloth beside serving bowls heaped with fruit and salad. Obvious at the front of the table sits a goblet of wine and a broken loaf of bread.

The contrast between the poverty of the men and the opulence before them is striking. It spoke to the truth that wealth in our country and the world is held by an increasingly small percentage of people while so many are without food or shelter or hope of finding it. I read the signage to learn when “Supper” was painted. It was finished in 1964. “…at about the same time that President Lyndon B. Johnson enacted laws and reforms known as the War on Poverty, designed to aid disadvantaged American communities.”

I counted the people again. Twelve. “Why didn’t Hirsch include a figure to represent Jesus?” I wondered. Gazing at the image, I slowly became aware of Jesus’ presence. No need to paint him. The Christ was there, dwelling in each of those men.

Before leaving, I read the rest of the sign. It ended by noting “…the relevance to the present day of Christian values of compassion and charity for the poor.” I would say “justice.”

As we move into liturgical celebrations of the Last Supper, Good Friday, and Easter, reflecting on this painting’s message could inform our prayer. In 2017, as in 1964, we examine our response to the call to follow Jesus through death to new life—to share God’s Love given to us.

Do we see that Love shining through creation? Do we see the risen Christ in our sisters and brothers? Do we recognize God dwelling in every human being regardless of color, ethnicity, gender, religious faith or lack of it?  Do we share what we have with the poor, the homeless, the immigrants and refugees who live in our neighborhoods and cities and around the globe? Do we foster love and acceptance with our speech as well as actions?

Jesus was God’s face in the world, and it is a face of Love and inclusion, leaving no one out—not Samaritans or gentiles, not women or children. There was no “other.”  We walk together in Christ.

©2017 Mary van Balen

A Time for Stories

A Time for Stories

Close up of springerle cookies

PHOTO: Mary van Balen

Originally published in The Catholic Times, February 12, 2017

On my way to work, I stopped at the Cambridge Tea House to buy a currant scone. The crusty outside is just sweet enough and surrounds a tender center filled with currants. No jam needed. I prefer mine just as they come out of the oven, and when I’m early, they’re still warm.

Waiting for the young woman at the counter to ring up the purchase, I noticed small packages of intricately stamped springerele cookies resting on a glass plate. My daughter and I bake a few hundred each Christmas. Ours are anise flavored and decorated with bells and angels, but these were smaller, almond flavored, and covered with flowers and hearts for Valentine’s Day.

“They’re beautiful,” I said as the tea house owner and baker emerged from the kitchen.

“A local woman makes them,” she volunteered. I picked up one of the clear bags for a closer look. “The recipe’s 150 years old.”

I wondered aloud if she used baker’s ammonia or some other leavening.

“What’s baker’s ammonia? the younger woman asked.

So began the story. I told them about baking springereles using an old family recipe from a friend of my mother. “Baker’s ammonia is used in many old recipes. I used to buy it at pharmacies, but it’s more difficult to find now. You can order it online.” I described our technique that evolved from using a traditional wooden board carved with designs that we pressed into the dough to our current biscuit cutter/cookie stamp routine.

“After we cut and stamp the cookies, we spread them over the counter to dry overnight. Baker’s ammonia is heat activated, so they form a crusty top that keeps the stamped impression crisp when it bakes.”

PHOTO: Mary van Balen

PHOTO: Mary van Balen

As the story unwound, the three of us stood still, caught up not only in my story, but in the personal stories it evoked in each of us. Images from deep heart-places, rising to the surface, pulling along sights, sounds, smells, and emotion as they broke into consciousness. In silence, we breathed stories.

We recognized them in each other’s eyes, memories both unique and the same: delight in the preparation and sharing of special foods with loved ones, anguish faced over steaming cups of tea and coffee, or reverence before moments of grace when the veil of ordinariness slipped away revealing the extraordinary that’s always present.

modern painting circle of five people in an embrace

Painting by Richard Duarte Brown

Motionless, we paused, heartened by our connection. There we were, members of one family, God’s beloved community.

We should give thanks for the humble story, for the telling that reminds us of the basic connection of all human beings. It isn’t “them and us” as some would have us believe. “Other” is a fiction. Really, at the core, we are much the same. How to remember this in times of division?

Sharing story is one way, the ancient sacrament as old as humanity. Sometimes the details are unfamiliar: Details of lives lived as a part of the minority or of the privileged majority; details of living in poverty or in wealth; details of raising children or living as a single person; details of enjoying good health or suffering physical or mental illness. The list is endless.

But, if we listen to the stories of people who at first glance are “not like us,” we recognize common threads: Courage. Fear. Love and need for it. Desire to care for our children. To have enough to eat. The search for meaning and self-expression, acceptance and reverence.

PHOTO: Mary van Balen Rev. Robert Graetz telling his story of the Montgomery Bus Boycott and current civil rights issues to a class of adult learners in the Even Start Program and their guests

PHOTO: Mary van Balen
Rev. Robert Graetz telling his story of the Montgomery Bus Boycott and current civil rights issues to a class of adult learners in the Even Start Program and their guests

There are many stories we need to hear today from people both within and outside our usual circles: stories of people who think like us and those who don’t. People dealing with uncertainties of jobs and homes. There are stories of refugees, undocumented immigrants, ethnic and racial minorities, indigenous people, LGBT people, those who are abused.

Their stories cry out to be heard. Sometimes stories are told in books like “Hidden Figures” and film like the movie “Lion.” An Oscar nominated documentary on James Baldwin, “I Am Not Your Negro,” was released last week, and from reviews I’ve read, it’s filled with stories that can help us better understand race in our country.

Jesus used the power of story, moving his listeners to open their hearts to the stranger, to follow his example, to love. Story has the power to break barriers, to unite, to give heart, to change history. Or, less lofty, to shine the warm light of common humanity on an ordinary morning trek to work.

©2017 Mary van Balen